It’s not that long ago that the choice across brands for telephoto lenses was monotonous and uniform. You’d had a few classic choices on the camera brand, a couple of choices in f/2.8’s: 300 and 400mm; a few 500 or 600mm f/4s, but not any longer. A whole range of interesting telephoto lenses has emerged and it is not easy to find the right one. Which are the best lenses for Nikon cameras? Keep reading to find out!
Overview of the Feature
Before getting to specific lenses, here’s a general summary of the characteristics I focus on when considering a telephoto lens
Focal Length
- A longer focal length (e.g., 70-200mm, 100-400mm) will allow you to shoot subjects that are far away from the camera; wildlife, sports, and portrait photographers tend to like this.
- Determine your usual shooting distance and the field of view you might need.
Aperture
- A larger maximum aperture, such as f/2.8 compared to f/4, lets more light in for better low-light performance and a shallower depth of field to blur the background.
- Faster Lenses generally favor action shots and low light situations.
Image Stabilization
- Look for IS or VR lenses that minimize blur from camera shake especially at longer focal lengths.
- Handheld shooting requires the use of this feature for maximum sharpness in low-light situations.
Optical Quality
- Consider the quality of glass and special coatings which minimize flare and aberrations.
- Reviews and sample images can be inspected for sharpness and color rendition.
Autofocus Performance
- Fast, precise autofocus is especially important with moving subjects.
- Quietest focusing motors, as well as customizable autofocus, are a must check feature
Size and Weight
- Telephoto lenses can be heavy and large. Lens weight should be viewed relative to your ability to carry and handle it for shoots.
- A compact design may be more beneficial when traveling or shooting in outdoor environments.
Build Quality and Weather Sealing
- It is strong build and weather-sealed for shooting in the rain, dust, and so much more.
- The lenses ought to be of good materials that can be used very many times without wearing them out.
Compatibility
- Check that the lens is compatible with your camera system
- Consider whether you might need an adapter if the lens is not from a manufacturer whose system you currently use.
Extender/Teleconverter Compatibility
- Some lenses have been designed so that it is possible to fit a teleconverter which effectively increases the focal length but has no detriment to the optical quality.
- Whether or not to use an extender is important, depending on your photography style.
Price and Budge
- Decide a budget and then opt for that lens that would best fulfill your needs based on a good value for their offered features.
- Option for used as well as brand-new lenses to maximize investment return
Versatility
- Zoom lenses will be flexible with wide composition; prime lenses are superior for optical quality and speed.
- Determine which lens to use according to your preferred shooting style.
Bokeh Quality
- For portraits and isolating subjects, the quality of out-of-focus areas, or the bokeh, may be of prime significance.
- For lenses known to have smooth, pleasing bokeh, look for them.
Carefully considering these qualities, you’ll be well-equipped to pick a telephoto lens that will work well with your photography needs and amplify your creative abilities.
22. Nikon z 24-200mm f/4-6.3 VR
Well, technically it goes all the way down to 200mm, so it fits a category on this list, don’t you think? The thing is, the Z 24-200mm f/4-6.3 is a really good lens… for a superzoom. If you want that your telephoto lens would be able to reach the compositions from the wide-angle shots as well, then please go ahead. We are, though, discussing the cream of the crop for this subject of the best telephoto lens for Nikon.
Now the weakest focal length on this 24-200mm f/4-6.3 VR is, you guessed it, 200mm. And even ignoring image quality, maximum aperture of f/6.3 at 200mm is rather limiting. If you take landscapes, I could understand. And if you intend to shoot wildlife, well, there are better alternatives than this one – sharper, with better bokeh, brighter, you name it.
Advantages
Versatility
This makes it an all-in-one lens, perfect for traveling or when you just want to have the minimum changes of lenses.
Lightweight and Compact
It weighs approximately 570g or around 1.26 lbs. It is very light, carrying a lens of this focal range.
One Lens Solution
This can shoot from landscapes to portraits, with the flexibility to adapt without multiple lenses.
Disadvantages
Variable Aperture
F/4-6.3 aperture is going to offer less light at the end of the zoom range, for instance, compared with constant-aperture lenses such as f/2.8 that could impact low light performance.
Optical Performance at Extremes
Good all around but may show a bit soft at the edges when wide open, particularly at 200mm.
Opinion
When versatility and lightness in the zoom lens are necessary in covering a wide number of shooting scenarios, then nothing beats the Nikon 24-200mm f/4-6.3 VR lens. It is also very attractive for photographers seeking portability and convenience with a compromise on lowlight situations. This lens can handle multiple subjects without forcing constant lens changes, which can really be an excellent addition for your gear.
21. Nikon AF-P 70-300mm f/4.5-5.6 VR
As I have already mentioned, it is not necessary every time to spend large amounts for a ticket to the wildlife photo world. This lens won’t put too much pressure neither on your budget neither on your photo backpack. For the price of $597, you get a telephoto lens which is not the brightest or the longest in the world but still competent. At 680g, it also won’t pull your pants down.
Where as this would be a very short 300mm focal length by most standards, don’t have to be for sure. It all comes with whatever you are shooting at that point. Small, bashful birds will not necessarily represent ideal uses for this lens, yet it will be happy. It’s used greatly for landscape photography but sadly you can’t even throw a teleconverter at the lens.
It is the F-mount 70-300mm f/4.5-5.6E. Recently, it was in great demand to be mounted on a Nikon mirrorless with FTZ adapter. Autofocus and all other features are still alright. I also find special interest in the fact that its focusing distance is 1.2m. This lens does not fall in the category of the true macro lens, but at 0.25x magnification, nothing is wrong in having normal close-ups.
The weakness of this telephoto lens is the fact that, at its long end, its image quality drops off somewhat. This fact is most apparent on full-frame bodies with higher resolution, like the D850, Z9, or Z7 series. And of course, the f/5.6 aperture requires more thinking to achieve the desired subject separation. Still, this lens is worth your money if you are on a budget.
Applications
The Nikon 70-300mm lens is versatile and best applied to different photography styles including
wildlife: as the extended focal length makes it ideal for capturing subjects from distant distances.
Sports: Fast AF and VR allow the photographer to snap sharp photographs of fast-moving subjects.
Portraits: The farther reach enables great bokeh and pleasing out-of-focus backgrounds at wider apertures.
Opinion
In the main, this Nikon 70-300mm f/4.5-5.6 VR AF-P telephoto zoom is a real and useful lens that can satisfy all photographers with a demand for extending focal length ranges, without needing to tote some large and heavy super telephoto lenses. However, before choosing this particular model, do check how the lens would work out for you, especially for auto focus in your particular camera body.
20. Sigma 60-600mm f/4.5-6.3 DG OS HSM Sport
In contrast, with its specs alone, I believe it’s a very exciting option. We have also reviewed the predecessor of this lens – the Sigma 150-600mm f/5-6.3 Sport – here on Photography Life. Image quality and build quality of this lens were very good.
As a couple of outside sources note, it does not particularly excel at the 60-150mm range. This is somewhat less likely to be of great interest to most users. On the plus side, it appears that it offers comparable or even improved performance at the longer end compared to its predecessor. It also sports a pretty useful 0.30x magnification at 200mm for close-up work.
This lens costs $1,900 in Nikon F, Canon EF, and Sigma SA mounts. As I write this review, Sigma has announced an improved version of this lens for mirrorless systems, improved in many ways. It features a new motor, a reworked optical design, a larger magnification scale at 1:2.4 magnification at 200mm, and lower weight at 2.5kg. The only thing not yet provided is the Nikon version; alas, it may not enter this list just yet. When this lens gets its Z mount attached, it will definitely get much farther up this list.
Applications
The Sigma 60-600mm f/4.5-6.3 DG OS HSM Sport lens is good for
wildlife photography : because you can capture animals from far distances with long focal length and fast autofocus.
Sports Photography: Capturing close-up shots of action situations from a distance.
Aerial and landscape photography: the flexibility can aid in the capture of a diverse range of subjects.
Opinion
Summarily, the Sigma 60-600mm f/4.5-6.3 DG OS HSM Sport camera is one of the finest cameras that can be offered to photographers for the attainment of wide zoom lens as well as quality image performance and construction that will take on any demanding shooting condition.
19. Tamron SP 150-600mm f/5-6.3 Di VC USD G2
I see this lens on cameras around me pretty often. Primarily on Canon bodies, since Nikon users are more likely to have the Nikon 200-500mm f/5.6 below. The Tamron currently sells for $1,299, which is about $100 less than the Nikon competitor.
Price aside, the other feature in which the Tamron has the edge over the Nikon is the 100mm difference in focal length at the long end. As I mentioned above, longer sometimes means better. However, according to our review, the Tamron has a hair worse optical performance compared to the Nikon 200-500mm f/5.6. However, the Tamron actually has slightly more responsive autofocus than the Nikon, which is a relatively slow focuser.
This lens is a huge win in terms of compatibility for Arca-Swiss. More manufacturers need to make their lenses with native Arca-Swiss compatible tripod feet.
Even so, I prefer the Nikon lens a little bit. At 500mm, it’s 1/3 stop faster. In fact, on the Tamron, the aperture flips to f/6.3 at a focal length of 428mm. Another advantage is that it’s a Nikon. That sounds like a biased argument. But my experience with third-party lenses leads me to some caution. Therefore, if the two lenses are very close, I prefer the original to a third-party lens.
Image Quality
The Tamron SP 150-600mm G2 has been found to produce high-quality images with good sharpness across an extremely long range of zoom. While it does show some weakness at the wide ends and is a little soft at both extremes, the overall images are pretty good for this long range of focal length and in fact perfect for wild and action photography. Reduction in flare and ghosting from the lens elements gives generally higher contrast and more clarity to the photograph.
Compatibility
The lens is available in mounts for Canon and Nikon DSLRs, covering both full-frame and APS-C camera formats. On an APS-C camera, it reaches an effective focal length of 225-900mm due to the crop factor.
Opinion
The Tamron SP 150-600mm f/5-6.3 Di VC USD G2 is a good telephoto lens for photographers who want a high-performance telephoto lens without the premium price tag of some of the major brand counterparts. Its Vibration Compensation is very effective, it has good autofocus performance, and its build quality is solid, which makes it a highly capable tool for capturing distant subjects in many conditions. Its reputation has been well-sought by wildlife and sports photographers as versatile and worth its price.
18. Nikon AF-S 200-500mm f/5.6 ED VR
This lens, among some Tamron and Sigma options, helped to start the affordable wildlife photography boom. However, this is not the only reason why this lens stands out.
Indeed, the Nikon 200-500mm f/5.6 lens gives very sharp pictures, especially at the center frame area. Sharpness on full-frame cameras will begin to fade near the edges. You can’t really tell that unless you’re taking landscape or wild bird shots. I do not think I would brandish it as a landscape lens. Even at 500mm.
It differs from the above competitors in that it features a constant f/5.6 aperture. Build quality: The overall build and weather resistance are at a (surprisingly) high level. The problem of the lens hood locking mechanism cracking after a few years is well known.
At a price of $1,397, there’s not much to complain about. My biggest problem with this lens is the speed—or rather, the lack of speed—of its autofocus. I still believe it to be half of the ultimate budget wildlife combo, with the Nikon D500 being the other half.
That, of course, is being trumpeted by the mirrorless successor of this lens-a long-awaited Nikon 200-600mm from Nikon’s roadmap.
Applications
Wildlife and Nature Photography : Ideal for shots of distant animals and landscapes.
Sports Photography : Ideal for getting that action shot at a contest or event.
Astrophotography: Useful for good-high-resolution imaging of celestial objects; it does, however require a sturdy mount and a gentle touch.
Opinion
Nikon AF-S 200-500mm f/5.6E ED VR offers great photography to enthusiasts and pros in need of a reliable super-telephoto lens that does not carry the expense and weight of faster lenses. The optical performance, build quality, and user-friendly features available create one of the outstanding choices for photographic applications.
17. Nikon AF-S 70-200mm f/2.8 ED VR
The Nikon 70-200mm f/4G is one of the most balanced telephotos Nikon makes. It’s not too expensive, not too heavy, and not bad optically. It’s neither a speed demon (f/2.8) nor a slow tortoise (f/5.6). And though it only goes to 200mm, it’s a well-balanced zoom that also gives you the 70mm perspective.
we wouldn’t go for a 70-200mm f/4 lens for my wildlife photography, but this is one of the most popular landscape lenses for Nikon DSLR photographers. Spencer apparently coated it to his D800E way back.
Applications
Portrait photography: where the lens produces flattering pictures with pretty blur of the background.
Sports and action photography: where fast-aperture combined with VR ensures the sharp picture captured.
Wildlife and nature photography: where the effective focal length affords close-up shots without disturbing subjects.
Opinion
At first glance, the Nikon AF-S 70-200mm f/2.8 has been a workhorse that many photographers have considered must-haves because of this versatility, image quality, and reliable performance, that is an essential complement of many photographers’ standard gears, especially event, portrait, and wildlife photographers.
16. Nikon AF-S 300mm f/4 PF ED VR
If you’re using something like the 500 or 600mm f/4 as your main telephoto lens, this is the exact lens you want in your bag as a shorter option. In fact, its dimensions and weight – a mere 755g / 1.7lbs – are unprecedented for a lens of this focal length and aperture.
Nikon did that through a Phase Fresnel element in the lens. Up to now, they apply the same technology only on three telephoto lenses; here it is the smallest of them all. Thankfully, it doesn’t introduce optical quality degradation. Have a look at our review test by following this link:.
Although it is optically superior and certainly much better at dealing with teleconverters, the size and weight play to the disadvantage of Nikon 300 f/2.8. The fact that this lens can be put into every backpack gives this lens its significant advantage.
If you want to minimize your gear as much as possible, you can get this lens for $1,997 and couple it with the Teleconverter TC-14E III. It will then become a very good lightweight package in a camera like the Nikon D500 or D7500.
Applications:
Wildlife Photography: Ideal for candid shots of animals and wild life without disturbing natural environments.
Sports Photography: Very effective for capturing swift action in many sporting disciplines.
Portraits: The lens can creatively be used for portraiture, especially when a little more focal length is needed, providing flattering compression.
Opinion
The Nikon AF-S 300mm f/4E PF ED VR gives a phenomenal reach combined with portability and extraordinary quality. Advanced technologies applied with the Phase Fresnel element and Vibration Reduction place this lens on a pinnacle for photographers when it comes to dependability and minimal light weight. This holds true across wildlife, sports shots, and even some portrait assignments with this versatile tool for professional shooters
15. Nikon AF-S 300mm f/2.8G ED VR II
There are, in essence, only three weaknesses of this lens. Firstly, it’s an F-mount lens. Although it can easily be mounted on new Z mount cameras via the FTZ adapter, its AF is best used on bodies such as the Nikon D6 or D500. Secondly it only goes to 300mm. This makes it problematic to recommend as a dedicated telephoto for wildlife. Finally it is rather large and heavy.
You will like everything else about this lens. First, the 300mm f/2.8G is one of the sharpest lenses Nikon ever made (at least on an F mount). It focuses very fast, and it tolerates all three teleconverters Nikon makes for the F mount quite well. In the final analysis, this is a rather versatile tool.
Also, don’t take me literally when I say that I don’t recommend it as the only telephoto lens for photographing animals. You are the best judge of the animals you are photographing. This lens is specifically for the turf of medium and larger mammals-or big birds that do not mind the presence of people. And we are including humans among the larger mammals, so if you shoot sports, then this could be the lens for you. Current price is $5,497.
Applications:
Wildlife Photography: This fast aperture and long reach are awesome for capturing wildlife in their natural environment.
Sports Photography: It’s great for photographing action sports, where you need to have a bit of reach and speed.
Portraits and Events: The shallowness of the depth of field and the gorgeous bokeh make this lens amazing for creative portrait work or for candid moments at events.
Opinion
Nikon AF-S 300 f/2.8 ED VR II is just one of those very well respected lenses because professionals will want more from a lens than what an amateur could or might require. In its price and size, compared with other options, the Nikon is quite the pricey and heavy lens. Then again, given its potential abilities and performance, some might feel that is worth paying that premium price for high usage photographers.
14. Nikon AF -S 400mm f/2.8E, 500mm f/4E, and 600mm f/4 (Equal)
Because to us all these three lenses are equal.
Of course, there are still individual differences. A 400mm f/2.8 lens will be good for bigger subjects in low light, while a 600mm f/4 will be best for smaller subjects in brighter conditions. And a 500mm f/4 falls in between. But the right choice among these three has nothing to do with the lenses themselves, rather the subjects you shoot.
All three of these lenses have nearly perfect optics, with gorgeous bokeh, sharpness galore, and fast focusing motors. If you’re looking for a deal, the used market for the older versions is heating up. You could get something like a Nikon D500 with an older 400mm f/2.8 (admittedly that lens would weigh a ton) and capture amazing photos for a good price.
Applications:
Nikon 400mm f/2.8E FL ED VR Multi-purpose super-telephoto capability with fast aperture; great for birding, wildlife, sports, and even portrait photography.
ikon 500mm f/4E FL ED VR Superb for wildlife and sports where the reach is really needed. The f/4 maximum aperture has balanced the performance with weight.
Nikon 600mm f/4E FL ED VR Best usage in distant wild photography, sporting events, and any other application where extreme reach is needed.
Opinion
Among Nikon 400mm f/2.8E, 500mm f/4E, and 600mm f/4E, one needs to make a choice depending on the requirements of the type of photography and the amount of light and convenience that this equipment will bring along to suit your own personal preference. All of them are remarkable for image quality and come from the cutting-edge development in optical technology along with the high build quality appropriate for professional use.
13. Nikon AF-S 120-300mm f/2.8E FL
The wild thing about this lens – Nikon’s newest and possibly its last F-mount lens ever – is that it’s hardly any heavier than the 300mm f/2.8 VR II from a few pages ago, yet it’s a zoom. If this really does end up being Nikon’s last F-mount lens, at least they went out with a bang.
As expected, the AF-S 120-300mm f/2.8E FL brings most of Nikon’s newest innovations, including a fluorite element, an electromagnetic aperture mechanism, and more switches than you’ll know what to do with. Optically, it is amazing. And though it weighs a bit heavy at 3.25 kilos / 7.15 pounds, that is lighter than expected for what this lens does. (The 300mm f/2.8 VR II is 2.9 kilos / 6.38 pounds).
we do wish that Nikon had seen fit to make this lens a built-in teleconverter, like it did on the 180-400mm f/4E below. That would take the maximum focal length out to 360mm or so, easily good enough for larger subjects; you would want a teleconverter, though, if you needed to get your lens far enough out for small birds. There’s the question of whether you actually need this lens, rather than getting by with one of Nikon’s 70-200mm f/2.8 options: you could save a good deal in weight and expense if you can.
Applications:
Due to its versatility, the Nikon AF-S 120-300mm f/2.8E FL lens is well-suited for a variety of photography genres, including:
Wildlife and sports photography: where fast autofocus and a wide aperture are critical.
Portraits: due to its ability to isolate subjects with a shallow depth of field.
Events and weddings: providing the flexibility to capture subjects from a distance.
Opinion
The Nikon AF-S 120-300mm f/2.8E FL ED SR VR is a premium lens that combines versatility, exceptional image quality, and robust build quality, making it a strong choice for photographers looking to expand their telephoto capabilities. Always consider your specific photography needs and preferences when selecting a lens, as the final choice will depend on how you intend to use it.
12. Nikon AF-S 180-400mm f/4 TC1.4 FL ED VR
The Nikon 200-400mm f/4G ED VR II, a great lens, impressed me more or less with its versatility and, of course, the constant f/4 aperture along the entire range. That made it possible to use a 1.4x teleconverter without going above the comfort zone of f/5.6.
To start with, the autofocus was not the fastest. Also, we often couldn’t attach the teleconverter even if we wanted to. When you lie in the warm mud and have a camouflage net above you, it’s hard to play with the teleconverter. Nikon seems to have listened to our laments and for the first time in its history with this lens included a 1.4x teleconverter as a part of the optical system. Brilliant!
Because the teleconverter is built specifically for this lens, image degradation by it is less than with a regular teleconverter. This also is shown in Nasim’s lab results. The magnification of the lens applied with the teleconverter is also very interesting for close-up photography at 560mm. Compared to Nikon’s 500mm f/4, which is only 0.15x without teleconverter, this is almost a macro lens. You’ll appreciate this feature when photographing hummingbirds or dragonflies, for example.
Nikon has also sorted out the autofocus speed, so the current version is noticeably more responsive than its predecessor. Would I spend my $12,397 on the lens? If birds weren’t so often in our viewfinder, then yes. We see this lens as a great choice for photographing bears in Alaska, elephants in Africa, or penguins in Antarctica…. Where animals small and large alternate in front of the camera. Where you can’t control your distance from the subject. That is, wherever you appreciate its versatility.
Applications:
In actual sense, the Nikon AF-S 180-400mm f/4 TC1.4 FL ED VR is appropriate for all photography genres like:
Wildlife Photography: Range of zoom will allow you to close up a subject without approaching and disturbing.
Sports Photography: Fast autofocus, and besides it also with in-body teleconverter, makes this lens flexible enough to take snaps of fast-moving action shots in most scenarios.
Event Photography: Ideal enough to capture distant objects like ceremonies or performances.
Opinion
One lens that is genuinely premium by any standard is the Nikon AF-S 180-400mm f/4 TC1.4 FL ED VR. It is available for photographers who need and want a super-telephoto zoom lens that really delivers in terms of great optical performance, versatility at the same time with an inside teleconverter, and even building for professionals and serious enthusiasts, too. Of course, always make sure that such a lens suits your precise photographic needs and style.
11. Nikon 70-200mm f/2.8 FL ED VR
It is possibly the best 70-200mm lens in the world and not only within Nikon’s world; of its ability to focus virtually on the snap, one among the most amazing creations concerning Nikon’s 70-200mm f/2.8E FL ED VR for the F mount.
Brilliant image quality and weighing in at a reasonable 1.43 kilos / 3.15 pounds. It surely ought to earn a place inside the bag of any shooter using a Nikon DSLR who would want a fast telephoto lens.
I also don’t like the location of the zoom and focus rings particularly, and sometimes it is a bit problematic to handhold the lens in the natural spot without unintentionally shifting focus. That’s only something you’ll notice if you are in the heat of the moment, the bird in front of you is stealing your attention, and you are in some awkward angle. Still, it matters.
But Nikon Z shooters have an even better 70-200mm f/2.8 option, so this lens does not rank higher on our list. But in every other respect, it is an excellent lens-so do not read that as a criticism for not scoring on the podium.
Applications:
The Nikon AF-S 70-200mm f/2.8E FL ED VR lens is multi shot and can be a versatile lens for all kinds of photography practices which include:
Portraits: Focus length range combined with wide aperture make for beautiful separation of subjects and pleasing backgrounds.
Sports and Action: Quick autofocusing, and fast max aperture allow you to capture quick action and various lighting conditions.
Event Photography: Provides reach and low light capabilities necessary for weddings, concerts, and other events.
Opinion
The Nikon AF-S 70-200mm f/2.8E FL ED VR lens is professional photographers’ favorite lens due to excellent image quality, rugged build, and versatility. It can always be relied upon to obtain great shots in almost every genre of photography. Do not forget to evaluate its suitability according to your photographic style and needs while going for the purchase of that lens.
10. Nikon Z 180-600mm f/5.6-6.3 VR
The Nikon Z 180-600mm f/5.6-6.3 lens is essentially the classic superzoom in the Nikon Z mount; it supplants the venerable Nikon 200-500 f/5.6, which so many F-mount shooters have held dear. Not only has it bettered the previous design on sharpness terms, but it is an internal zoom.
Although there are lenses a bit sharper, such as the super telephoto primes, even higher on this list, this lens is the best combination of optical quality and versatility for wildlife shooters. Not only is this lens ideal for the vast majority of shooters, but it’s also the lens we would want in our bag after our super telephoto primes.
There was a time where a superzoom lens such as this one would mean sacrificing a fair amount of sharpness and light-gathering capability over the super telephoto primes, but this modern upgrade is much closer in sharpness and so the main downside to this lens over the more expensive glass is simply just the aperture.
Although the Nikon Z 100-400mm f/4.5-5.6 is slightly ahead of this lens in this list, I’d pick this lens over the 100-400mm if wildlife is your main interest. The Nikon 500mm f/5.6 PF lens or the Nikon 400mm f/4.5 S lens with a teleconverter are potentially much lighter and offer similar reach, but they just cannot compare to the portability and excellent close-focusing capability of this gem.
Applications:
The Nikon Z 180-600mm f/5.6-6.3 VR is ideal for a wide field of photography applications:
Wildlife Photography: Through this lens, the scope will enable photographers to snap pictures of animals from miles away without disturbing them in their natural habitat.
Sports Photography: For fast-paced action, it works perfectly to snap moving things quickly with precision.
Aviation and Motorsport Photography: The great extended reach is perfect in snapping fast-moving subjects; it can be planes, race cars, and such other things from a long distance.
Opinion
The Nikon Z 180-600mm f/5.6-6.3 VR lens would make a fabulous choice for the photographer seeking a great versatile super-telephoto lens with Nikon’s mirrorless camera system. Its reach combined with this being lighter-weight and filled with state-of-the-art technology makes it such an extremely important tool when getting your clear images taken in whatever conditions. And, again, review specific needs to make sure you will be covered with this kind of camera lens.
9. Nikon Z 100-400mm f/4.5-5.6 VR S
Using this lens, we’re wading into the waters of Nikon Z S series lenses. By increasing the mount diameter, Nikon’s engineers have been freed, and it shows in the new lenses. Speaking of this particular one, the only fact that will make you hesitate whether or not to get this $2,697 lens is the existence of the Nikon Z 400mm f/4.5 VR S.
Why would you want this telephoto zoom lens? First of all, because it’s a zoom. As with the previous lens, you’ll appreciate its versatility. Versatility and optical quality are often qualities that don’t like each other much-but not so here. This lens is even versatile for close-up photography with a 0.38x maximum magnification!
At the same time, it is no laggard in terms of focusing speed either. Stepping motors can keep fast action right in front of it. In addition, the camera tolerates the use of Nikon’s 1.4x teleconverter reasonably well, albeit with its maximum aperture on the long end of the zoom range, dropping down to f/8.
And that’s where you scratch your head, wondering why I generally favor the Nikon Z 400mm f/4.5. Brighter maximum aperture, a little better optically, of course. But if you really want uncompromising quality and versatility in a telephoto zoom, it’s the way to go.
Applications:
The Nikon Z 100-400mm f/4.5-5.6 VR S lens covers most photography genres:
Wildlife Photography: A long reach, with enough flexibility to make it good for animal photography in its natural settings.
Sports Photography: Fast auto-focusing and stable handling enable capture of fast-action shots
Landscape Photography: Creative flexibility through zoom in on distant subjects with landscape composition.
Opinion
The Nikon Z 100-400mm f/4.5-5.6 VR S is a high-end lens that performs well with an excellent picture quality, great stabilization system, and it is built quite heavy. Depending on your needs, this lens can be just right for wildlife photography or sports, or for extremely distant landscapes.
8. Nikon Z 800mm f/6.3 VR S
Before this lens came to town in the spring of 2022, there was much debate on how much over ten thousand dollars its price would be. $12,000? $15,000? When the lens came out and its price tag turned out to be $6,497, it came as a shock to most. After all, its F mount predecessor, the Nikon AF-S 800mm f/5.6E FL ED VR, costs a whopping $16,300.
On the other hand, the variation of difference between the two lenses was a mere 1/3rd of a stop in favor of the old one… and the weight in its favor was 2.2 kilos (4.9 pounds). And credit goes to the Phase Fresnel lens element for the same.
Unlike the previously mentioned lens on our list, this is a quite specialized tool indeed. Yeah, sure, you shoot landscapes with it, photo the moon, but, really, this lens is for photographers of very distantly sited subjects. Anywhere you can’t approach your subject closer.
The 0.16x magnification of this lens is pretty much like all other telephoto primes. Just remember that this magnification comes at a minimum focusing distance of 5 meters due to the 800mm focal length. This is a lens for really distant and hidden animals.
Sharpness and contrast are both very high, although slightly shy of Nikon’s best-of-the-best. Focus speed is excellent, commensurate with other gold ring lenses. Durability of this lens is quite good enough for most purposes. Okay, so that being said, I did get moisture on the rear element when shooting all day in a light drizzle (never removed the lens from the camera). So, we still consider the lens weather resistant, but not foolproof.
Applications:
Wildlife Photography :It has a long reach, making it excellent to capture animals at far distances without stressing them.
Sports Photography: The fast autofocus and the long focal length enable photographers to capture actiony scenes.
Astronomy: It offers perfect magnification for the capturing of celestial objects.
Opinion
The Nikon Z 800mm f/6.3 VR S is a versatile tool, perfect for photographers looking to get the best in top-notch performance in a super-telephoto format. Out of the box, image quality is outstanding, excellent stabilization, and relatively light construction make it extremely alluring to nature and sports photographers.
7. Nikon 800mm f/5.6 FL ED VR
We believe the sharpest lens Nikon has ever made, the lens with the most beautiful bokeh, and the fastest focusing lens is all one piece of glass: it’s the Nikon 800mm f/5.6E FL.
Though astonishingly wonderful, I still couldn’t fit it into top three since the thing weighs like an elephant with specialized focal length – slight exaggeration. Not to mention, even if you are the kind of photographer who says that price doesn’t matter, price may very well matter if the price in question is $16,300.
But perhaps a focal length of 800mm does it for you, and you won the lottery. If so, this is a better lens than the Z 800mm f/6.3 VR S optically. It comes with a special 1.25x teleconverter meant only for your 800mm f/5.6. And if you’re wealthy enough to buy it, you probably have paid someone to carry it for you anyway.
I put it high on this list not because I think many photographers will actually buy it – it’s a flagship piece, not for most of us. There are more practical choices, to be sure. But the benchmark set by this lens is incredibly high.
Applications:
Wildlife Photography: A good shot for distant animals that should not be disturbed.
Sports Photography: The camera is good for action in various sports shots.
Astrophotography: Long focal length also allows taking pictures of celestial objects but may need a solid tripod.
Opinion
In the lens system, the reach and the high-quality optics it provides make the 800mm focal length invaluable for serious photographers since the professional shooters need such extreme reach coupled with the professional performance quality on offer.
6. Nikon AF-S 500mm f/5.6 PF ED VR
There still isn’t a 500mm prime lens for the Z mount from Nikon. And going by the current roadmap, it doesn’t seem likely to happen in the near future, say within the next year or two. In the meantime, the Nikon 500mm f/5.6E PF has won a high-ranked spot on its own. Why did I make the decision to put it so high?
Most of all, weight and dimensions. For its focal length, this 1460-gram lens (3.2 lbs) is a true lightweight king. It has a solid minimum focusing distance, and a great price of $3,597. No wonder it was out of stock for so long.
Virtually the only disappointment of the 500mm f/5.6 is its relatively narrow maximum aperture of f/5.6. It’s not a great lens to use with teleconverters. But if you can get over that, it is very hard to complain.
For some, the choice might be 500mm f/5.6 PF or 200-500mm f/5.6E ED. In this scenario, the advantage of the zoom is weighed against the faster focusing and better image quality (specifically in the corners) of the prime telephoto. In that regard, the 500mm f/5.6 takes the day for me. It is one of Nikon’s most versatile telephoto lenses.
Applications
Wildlife Photography: It is excellent for snapping distant wildlife without disturbing it because of its reach as well as image stabilization.
Sports Photography: It can snap moving objects clearly because of fast autofocusing and VR.
Astronomy: You can use this for shooting the stars due to having a focal length of 500mm as well as sharp optics.
Landscape and Nature Photography: It creates some of the best shots of landscapes using a tripod.
Opinion
Nikon AF-S 500mm f/5.6E PF ED VR is one of the top-quality long-distance imagery lenses for those photographers looking for this in relatively light and portable form. With the combination of advanced optical elements, VR technology, and robust construction, this lens is the best choice for serious wildlife and sports photographers, while its exceptional performance makes it an asset to any photographer’s toolkit.
5. Nikon Z 70-200mm f/2.8 VR S
This is the sharpest zoom lens. It is a perfect fit for a camera like the Z9. There are no optical flaws to speak of, it’s relatively small and light and it focuses in an instant.
The only reason that any lenses place higher on our list is because of focal length and aperture considerations. Can you say that a perfect 70-200mm f/2.8 or a perfect 400mm f/2.8 is a better lens? It’s all relative. This could be #1 if you don’t need a focal length beyond 200mm (or if you’re comfortable using teleconverters to get there).
If we were more of a portrait photographer and less of a photographer of distant birds in flight, this would be the lens we long for. But as a wildlife photographer, we would want more reach without resorting to teleconverters.
Applications
Nikon Z 70-200mm f/2.8 VR S is really perfect for many applications as the following:
Portrait Photography: It would produce great bokeh, fantastic depth of field with f/2.8.
Sports & Action Photography: Its fast autofocus and VR enables it to capture motion that is very fast, like sports.
Wildlife Photography: It makes for a great lens at any distance due to the reach and optical performance.
Opinion
In short, the Nikon Z 70-200mm f/2.8 VR S is a high-quality, versatile, and performance telephoto zoom lens. The professionals and serious enthusiasts always need a high-quality and reliable telephoto zoom lens, which the Nikon Z camera system will be well furnished with this one.
4. Nikon Z 400mm f/4.5 VR
It’s the last telephoto of an earthly fantasy: at that cost, 3,247 dollars, soon not to be left space for fantasizing. Nikon Z 400mm f/4.5 – in any way optically of the high level; by means of EXIF seems, so that one examines these data about it and abstains from using its not extremely more expensive sibling 400 f/2.8. All is great on flare resistance and bokeh.
Like the previous lens, it is super light. This one comes in at 1145 g (2.5 lbs), lighter than even the Z 70-200mm f/2.8 S, at 1360 g (3.0 lbs). Even with the 1.4x teleconverter mounted, it remains a lightweight 560mm f/6.3 options. That’s a pretty good deal, don’t you think? What’s amazing, though, is that it’s not a PF lens!
The lens also supports a 2.0x teleconverter, and while much of the light disappears, if the conditions are bright enough, an 800mm f/9 will yield excellent reach while still producing good image quality.
In terms of focusing speed, the lens focuses as fast as the far more expensive Z 400mm f/2.8. So is there even any point looking any further down your purse and splashing out for a lens that’s slightly superior?
Applications
Wildlife Photography: It has a long focal length, and thus it could capture distant subjects without stressing them.
Sports Photography: It has super-fast autofocus and a VR system that tracks fast-moving things at events.
Portraits and Landscapes: It basically is a telephoto lens that creates beautiful compression effects and isolates subjects with a wide range of options.
Opinion
The Nikon Z 400mm f/4.5 VR is one of the best high-quality, portable, and highly performing telephoto lenses. To get the latest price and reviews, check the official Nikon resource or other photography retailers.
3. Nikon Z 600mm f/6.3 PF
Two of the best lenses on this list are really great. There’s the 500mm f/5.6 PF, but that’s an F-mount lens. And if you want a Z-mount lens, then your best bet for a budget prime longer than the Nikon 400mm f/4.5 is the Nikon 600mm f/6.3 PF.
That actually comes as a 500mm f/5.6 PF replacement, giving 1.2x extra magnification. In picking one prime for the Z mount, if we are choosing for portability I would take this spectacular lens. That does put a somewhat high price tag of $4796.95 against it. It’s in a world of super-telephotos, but considerably farther away.
Applications
This lens excels for:
Wildlife Photography: Reaching a distance to photo animals that otherwise would run away if approached.
Sports Photography: For action at various sporting events, for instance, because of the shutter speed attained.
Bird Photography: For the birdwatchers who often prefer to see small and/or distant things.
Landscape and Astrophotography: It can reach out for the landscape/celestial objects.
Opinion
The Nikon Z 600mm f/6.3 PF ED VR is ideal for photographers in search of a state-of-the-art, very lightweight telephoto lens specifically designed for their Nikon Z camera system. Advanced optical know-how, user-friendly, and adaptable, this zoom lens is an extremely formidable tool for professionals and also enthusiastic hobbyists.
2. Nikon Z 400mm f/2.8 TC VR S
Several grounds to buy this lens. Let’s consider the first ones.
Number one is hidden under an abbreviation TC in the lens name: built-in 1.4x teleconverter. Game-changer, my friend! Take teleconverter from pocket, remove first cap, remove the other, take the camera apart, attach it all the opposite way round with put it all on. Such old school!. Now you can just flick for it. For us, in the flick, about 75% of our wish for this lens is locked.
Another 20% of our interest is pretty much due to the fact it has a maximum aperture of f/2.8. The reason we want that is because with a built-in 1.4x teleconverter the lens is still going to be at f/4, and with a Z TC-2x we can still get out at f/5.6. Moreover, there can be a combination of these two teleconverters resulting in an 1120mm f/8 lens. Thus, while technically a prime lens, here we see a strange measure of flexibility.
That’s the remaining 5% that would eventually make me pay $13,997. That’s the weight of the lens. Now, it is really low for a lens of this caliber. Only 2950 g / 6.5 pounds. Here, to say that this lens is sealed against dust and dripping water, and its barrel is designed for professional handling, would probably be carrying firewood into the woods.
Applications
Wildlife Photography: It is wide, fast, and has low light sensitivity, making it a good lens for wildlife photography.
Sports Photography: A very good lens for events that are fast moving and for shutter speeds that enable subjects to be captured clearly from some distance.
Bird Photography: The long reach and fast aperture of this lens make beautiful pictures when taking photos of birds in flight as well as when posed.
Event Photography: Good for the ceremony, events, photographing things from a distance and having the subject not close in.
Opinion
It’s a high-end telephoto lens that’s at the top of the performance and versatility scale. It has an f/2.8 wide aperture, a built-in teleconverter, and superior optical design. It will be suitable for professional photographers as well as serious enthusiasts interested in wildlife, sports, and event photography. This robust feature, in combination with the convenience and flexibility of the Z mount system, is a very powerful tool to capture some great images.
1. Nikon Z 600mm f/4 TC VR S
And the winner of ranking of the best telephoto lenses for Nikon is 600mm f/4 TC VR S. At $15,497, that is a very steep price indeed (although not quite as bad as the aforementioned 800mm f/5.6E FL ED). And even with that price, you’ll have to wait in a long line for this lens.
What makes the 600mm f/4 so special? I could basically copy all of the text I dedicated to the previous lens. Therefore, I will be shorter. Reason number one, two, and three: the built-in 1.4x teleconverter. This is something that really leapfrogs over the competition for using a telephoto lens in the field.
Just for context, the only two remaining telephoto lenses that have this feature are the Olympus M.Zuiko Digital ED 150-400mm f/4.5 TC1.25X IS PRO and the Canon EF 200-400mm f/4L IS USM Extender 1.4x. One is for MFT cameras and the other would deserve an update.
Another reason to get one is that it is a native Z mount lens. While the FTZ adapter does not degrade the optical quality, the focusing of the adapted lenses does not quite match the speed and reliability of the native ones, at least in my experience. The last major reason to click the “Add to Cart” button is the weight (3260g / 7.2 lbs). For the record, the lens has lost 550 g / 1.2 pounds compared to the previous version.
This leaves me with the Z 600mm f/4 TC VR S, undoubtedly Nikon’s best option for the telephoto zoom on an SLR camera-if you’re an average photographer another option on this list fits your needs better.
The trend that we are seeing nowadays—a more interesting variety of telephoto lenses in recent times—is great for many reasons. First and foremost, this is an indicator that the interest of people has increased in nature photography as always, which is dear to my heart since I’m a biologist. Really, along with sports, this is the other genre in which one actually starts with telephoto lenses.
Another thing that makes us really happy is that nearly anybody can do this beautiful hobby nowadays. It does not need to spend ten thousand dollars or more to get a ticket to the wildlife photo world. Sure, some of the highest ranked lenses on my list above are very pricey; they are allowed to be dreams. There’s an amazing lens under $1000 that can deliver stunning images if you know how to use it. Any lens in this list can deliver a winning picture if given to a knowledgeable photographer.
Applications
Wildlife Photography: It is ideal for capturing distant objects in their natural settings.
Sports Photography: It is perfect for photographers shooting fast-moving athletes with sharpness and clarity shot from afar.
Bird Photography: Ideal for bird watchers and photographers as they capture images of the birds without disturbing them in the process.
Nature and Landscape Photography: It may be used creatively to compress distances and capture unique views.
Opinion
Professionals use the Nikon Z 600mm f/4 TC VR S lens with the required top-notch performance in their telephoto photography. Through its fast aperture, and built-in teleconverter complemented by sophisticated optical technology, it really shines brightly in a broad range of photographic situations; hence an excellent addition to any tool kit. Wildlife can be captured close up, or fast movement in sports events with very good results.
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